I. SUBJECT DESCRIPTION
II. SUBJECT REQUIREMENTS
III. COURSE CURRICULUM
SUBJECT DATA
OBJECTIVES AND LEARNING OUTCOMES
TESTING AND ASSESSMENT OF LEARNING PERFORMANCE
THEMATIC UNITS AND FURTHER DETAILS
Subject name
The City as Encyclopedia - Introduction to Lens-based Documentarism
ID (subject code)
BMEGT43X005
Type of subject
class
Course types and lessons
Type
Lessons
Lecture
0
Practice
6
Laboratory
0
Type of assessment
term mark
Number of credits
8
Subject Coordinator
Name
Dr. Gács Anna
Position
associate professor
Contact details
gacs.anna@gtk.bme.hu
Educational organisational unit for the subject
Department of Sociology and Communication
Subject website
Language of the subject
English - EN
Curricular role of the subject, recommended number of terms

Programme: Communication and media studies Bachelor’s Programme from 2021/22/Term 1

Subject Role: Elective

Recommended semester: 0

Programme: MA in Communication and Media Studies

Subject Role: Elective

Recommended semester: 0

Direct prerequisites
Strong
None
Weak
None
Parallel
None
Exclusion
None
Validity of the Subject Description
Approved by the Faculty Board of Faculty of Economic and Social Sciences, Decree No: 580466/11/2025registration number. Valid from: 2025.06.25.

Objectives

The course provides a hands-on introduction to documentarism, engaging with photography and film while immersing in the city through walks, exhibition visits, artist talks, and short- and long-term assignments. These activities foster new ways of seeing and visual storytelling that can enrich participants’ existing creative practices.

Academic results

Knowledge
  1. Solid knowledge of conceptualization for studying communication and media phenomena
Skills
  1. Ability to recognize social and communication problems, and to choose appropriate solutions
Attitude
  1. Avoidance of being biased, prejudical
Independence and responsibility
  1. Independence

Teaching methodology

Inspired by historical attempts to capture totality—such as atlases, encyclopedias, and typologies—each participant will define one or more aspects of the urban environment. The resulting personal projects will form an immersive, collective vision of the city, manifested as an exhibition.

Materials supporting learning

  • ● Jorge Luis Borges – The Library of Babel
  • ● Paul Auster – City of Glass
  • ● Umberto Eco – The Infinity of Lists
  • ● Italo Calvino – Invisible Cities
  • ● Michel Foucault – The Order of Things: An Archaeology of the Human Sciences
  • ● Aby Warburg – Mnemosyne Atlas
  • ● Walter Benjamin – The Arcades Project
  • ● Henri Lefebvre – The Production of Space
  • ● Julian Barnes: The History of the World in 10 Chapters,
  • ● Péter Esterházy: Introduction to Fiction
  • ● Péter Nádas: Parallel Stories

General Rules

Mandatory participation, no more than 3 missed classes

Performance assessment methods

Assessment of class, group and independent work

Percentage of performance assessments, conducted during the study period, within the rating

  • Activity: 30
  • homework: 30
  • final project: 40
  • sum: 100

Percentage of exam elements within the rating

Conditions for obtaining a signature, validity of the signature

Participation

Issuing grades

%
Excellent 97-100
Very good 90-96
Good 80-89
Satisfactory 70-79
Pass 60-69
Fail 0-59

Retake and late completion

Retake and make-up test options are defined by the valid regulations of the University’s Code on Education and Examination.

Coursework required for the completion of the subject

Nature of work Number of sessions per term
classwork 84
homeworks 156
sum 240

Approval and validity of subject requirements

Consulted with the Faculty Student Representative Committee, approved by the Vice Dean for Education, valid from: 02.06.2024.

Topics covered during the term

This project-oriented course introduces participants to collaborative and experimental approaches to documentary photography and filmmaking through playful, immersive exercises. Together, attendees will create a collective encyclopedia of Budapest’s urban landscape, culminating in a multimedia exhibition by the end of the semester.

Lecture topics
1. 1. Encyclopedism & Subjectivity: Our Starting Point
2. 2. Play as a Method of Exploration
3. 3. Modes of Storytelling
4. 4. Typologies in Film & Fine Art
5. 7. Technical Skills & Tools
6. 8. Exhibition & Installation Basics
7. 9. Exhibition Visits & Artist Talks

Additional lecturers

Name Position Contact details

Approval and validity of subject requirements