I. SUBJECT DESCRIPTION
II. SUBJECT REQUIREMENTS
III. COURSE CURRICULUM
SUBJECT DATA
OBJECTIVES AND LEARNING OUTCOMES
TESTING AND ASSESSMENT OF LEARNING PERFORMANCE
THEMATIC UNITS AND FURTHER DETAILS
Subject name
Industry & Career Development Course
ID (subject code)
BMEGT43XYYY
Type of subject
class
Course types and lessons
Type
Lessons
Lecture
0
Practice
2
Laboratory
0
Type of assessment
term mark
Number of credits
2
Subject Coordinator
Name
Dr. Gács Anna
Position
associate professor
Contact details
gacs.anna@gtk.bme.hu
Educational organisational unit for the subject
Department of Sociology and Communication
Subject website
Language of the subject
English - EN
Curricular role of the subject, recommended number of terms

Programme: Communication and media studies Bachelor’s Programme from 2021/22/Term 1

Subject Role: Elective

Recommended semester: 0

Programme: MA in Communication and Media Studies

Subject Role: Elective

Recommended semester: 0

Direct prerequisites
Strong
None
Weak
None
Parallel
None
Exclusion
None
Validity of the Subject Description
Approved by the Faculty Board of Faculty of Economic and Social Sciences, Decree No: 580466/11/2025registration number. Valid from: 2025.06.25.

Objectives

Upon successful completion of the course, students will be able to: • Conduct in-depth research utilizing various data collection methods • Approach and engage with subjects respectfully in unfamiliar cultural settings • Identify funding sources and apply for grants • Initiate collaborations with key representatives of the vibrant art scene in Budapest • Develop a compelling pitch deck to effectively showcase their project • Navigate the landscape of cultural industries to establish a strong networking strategy in Budapest and internationally • Create a standout portfolio and craft a persuasive resume to enhance their professional trajectory in the arts

Academic results

Knowledge
  1. Solid knowledge of the cultural embeddedness of the communication institutional system.
  2. Solid knowledge of the most important social science conceptualizations needed to study the communication phenomena
  3. Basic knowledge of social institutions (law, language, religion, etc.)
Skills
  1. Skills of using new perspectives and participating in interdisciplinary projects.
  2. Analytical skills
  3. Research skills
Attitude
  1. Being unbiased and being free from prejudice.
  2. Self-reflection of one's own abilities
  3. Professional and moral stand
Independence and responsibility
  1. Readiness to help one’s social environement to develop from a historical and political coherent world view.
  2. Independence
  3. Constructiveness and assertiveness in the context of institutional operation

Teaching methodology

This course is taught using a variety of instructional methods including: • lectures • master classes • roundtable discussions • one-on-one consultations

Materials supporting learning

  • - Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing, Author: Maureen A. Ryan. Publisher: Michael Wiese Productions; 3rd Edition (November, 2024),
  • - The Documentary Filmmaker’s Roadmap: A Practical Guide to Planning, Production and Distribution, Author: Maxine Trump, Publisher: Routledge; 1st Edition (July 16, 2018),
  • - Documentary Storytelling: Creative Nonfiction on Screen. Author: Sheila Curran Bernard, Publisher: Routledge; 5th Edition (July 8, 2022)

General Rules

Attendance is mandatory. No more than 3 classes can be missed.

Performance assessment methods

Activity and papers

Percentage of performance assessments, conducted during the study period, within the rating

  • classwork and consultations: 60
  • papers: 40
  • sum: 100

Percentage of exam elements within the rating

Conditions for obtaining a signature, validity of the signature

Participation

Issuing grades

%
Excellent 97-100
Very good 90-96
Good 80-89
Satisfactory 70-79
Pass 60-69
Fail 0-59

Retake and late completion

Retake and make-up test options are defined by the valid regulations of the University’s Code on Education and Examination.

Coursework required for the completion of the subject

Nature of work Number of sessions per term
Class 28
Preparation for papers and consultations 32
sum 60

Approval and validity of subject requirements

Consulted with the Faculty Student Representative Committee, approved by the Vice Dean for Education, valid from: 02.06.2024.

Topics covered during the term

This immersive course integrates theory and practice, empowering students to deepen their knowledge and expand their artistic perspectives to enrich their creative process as they develop their own projects in the Creative Production Course. Exploring Budapest’s rich cultural landscape, the course enhances students’ research methods and fosters their ability to engage with their potential subjects respectfully and authentically. Students gain essential competencies in collaboration, they will be equipped with the practical tools and skills needed to refine their work, to identify funding opportunities, and to navigate the complexities of the film and art industries to gain exposure and showcase their projects. Roundtable discussions with esteemed filmmakers, artists, and local representatives of international non-profit organizations, foster meaningful dialogue on social, gender, and human rights issues, highlighting the transformative power of art in social change. Vibrant class conversations cultivate an inspiring atmosphere, amplifying the collective creative experience, while encouraging students to enhance critical thinking and creative expression. The one-on-one consultations with distinguished professionals from Budapest’s film and art scene provide valuable feedback on students' work-in-progress projects, offering them tailored guidance and shape their creative journey in an encouraging environment. Throughout the course students gain valuable insights into diverse creative approaches so they can explore their own aspirations and develop their individual artistic voices.

Lecture topics
1. RESEARCH METHODS AND DATA COLLECTION TECHNIQUES
2. TRANSFORMATIVE POWER OF ART IN SOCIAL CHANGE
3. CONSULTATION ONE-ON-ONE
4. TRANSNATIONAL FLOW OF VISUAL MEDIA
5. THE ART OF PITCHING AND PRESENTATION
6. GENDER AND POWER STRUCTURES IN THE ARTS
7. HYBRID FUNDRAISING STRATEGIES
8. MORAL INJURY
9. ETHICAL CONSIDERATIONS IN DOCUMENTING SENSITIVE SUBJECTS
10. IMPACT CAMPAIGN STRATEGIES
11. ARTS MANAGEMENT & PORTFOLIO DEVELOPMENT
12. ART MARKET PRESENCE AND FESTIVAL PARTICIPATION STRATEGY
13. COPYRIGHT & IP
14. CONSULTATION ONE-ON-ONE

Additional lecturers

Name Position Contact details

Approval and validity of subject requirements